The Cornaro family, a wealthy and powerful family in Rome with close ties to the Church during the Counter Reformation, commissioned this chapel, located in the Santa Maria della Vittoria. She is enveloped in robes that morph into the clouds on which the entire scene takes place; this adds to the divine nature of the scene, while also demonstrating Bernini’s masterful skill. … https://www.britannica.com/place/Cornaro-Chapel, Gian Lorenzo Bernini: Patronage of Innocent X and Alexander VII. …Bernini’s mature art is the Cornaro Chapel in Santa Maria della Vittoria, in Rome, which completes the evolution begun early in his career. Located in Santa Maria della Vittoria, the chapel was designed almost exclusively to celebrate Bernini’s singular Ecstasy of Saint Teresa that hangs behind the altar. EVOLUTION OF SCULPTURE For details of the origins and development of the plastic arts see: History of Sculpture. Painted stucco figures and clouds decorate the ceiling and serve to lift the ceiling and give a heavenly ambiance to the entire space. Its focal point is his sculpture of The Ecstasy of St.…. Contents OUR LADY OF VICTORY IN ROME. This chapel is considered one of Bernini’s best works. Image Credit: Kenny Mencher, As the viewer approaches the Cornaro Chapel, he or she may be struck by the shallowness of the chapel; it is a relatively small space. 6. Cornaro Chapel of the church of Santa Maria della Vittoria, was carved by Bernini, one of the leading Baroque sculptors of the Roman school. These people are engaged in lively conversations, perhaps about the beautiful, central altar, or perhaps they are furiously debating and discussing the state of the church and Christianity as a whole. A deliberately intense work of Christian You may wish to read a short introduction to this topic. Several ornate columns and a broken triangular pediment, which is formed by curved edges that seem to push outward, frame the main altar. It was designed and completed by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the Chapel in marble, stucco and paint. Cornaro Chapel and Bernini sculpture of Santa Teresa Santa Maria della Vittoria Rome Italy Europe Ecstasy of St. Theresa', 1646, designed by Gian Lorenzo Bernini. With the Cardinal, Bernini did not have budget limitations and he and his team worked for years (1647-1651) on a chapel in honour of St. Theresa in the church of S. Maria della Vittoria. The church is in the Rione Sallustiano, on number 98 via XX Settembre, where this street intersects with Largo Santa Susanna. Download all free or royalty-free photos and vectors. Cornaro Chapel Natural light from a hidden window is a characteristic of Bernini’s groups of figures. Cornaro Chapel, Church of Santa Maria della Vittoria. It's a deliberately intense work of Christian art, its an example of the Counter-Reformation style of Baroque sculpture, to convey spiritual aspects of … Cornaro chapel 1652 large size Bernini study ca. The Cornaro Chapel remains one of Bernini’s most beloved works, and a shining example of the Baroque style. Cornaro Chapel (detail). Gian Lorenzo Bernini, Ecstasy of Saint Teresa, 1647-52 (Cornaro Chapel, Santa Maria della Vittoria, Rome). It's a deliberately intense work of Christian art, its an example of the Counter-Reformation style of Baroque sculpture, to convey spiritual aspects of … (1645 1652) The Church of Santa Maria della Vittoria, Rome, belongs to the Discalced Carmelites, the order established by St. Theresa of Avila. Cornaro Chapel. These techniques for expanding the perceived size of the room, as well as the grandiose nature of the columns, the ceiling, and the pediment, are common throughout the Baroque.7, Gian Lorenzo Bernini, “Ecstasy of St. Teresa,” 1652, Marble. 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